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Le catalogue
Quentin Cottereau
36 recettes au catalogue
Night BodycamChest-height bodycam at night: a harsh on-camera light punching a cone into the dark, everything outside it gone.
CCTV Corner CamCeiling-corner surveillance — wide, greenish, faintly fisheyed, timestamp burned into the frame. Ordinary things start to look like evidence.
Doorbell Cam, 3AMAn infrared doorbell camera at three in the morning: blown-out whites, retinal glare in the eyes, and a timestamp in the corner.
Walk-Away ShotThe subject walks away from a holding camera and gets smaller down the road. The ending shot.
Third-Person Game CamA trailing third-person game camera: subject slightly off-centre, the world opening out ahead, the frame looking playable.
Laptop Webcam GlowLit only by the screen — the low, slightly-too-close laptop webcam look, soft blue glow coming up under the chin.
Dutch Tilt ThrillerTilt the horizon and the whole frame goes wrong — the thriller's oldest trick for making a calm scene feel like a threat.
Over the ShoulderFramed past a shoulder held in the near foreground — the conversation shot that puts you in the room instead of watching it.
Hands in FrameYour own hands come into shot to hold, turn or offer the subject — the first-person gesture that makes a thing feel touchable.
Hold It Up to the CameraSomeone holds the thing up to the lens, close enough to read the label. The unboxing pose: arm's length, centred, straight on.
Zoom from Way BackShot from far off on a long lens — compressed distance, the subject small and isolated against a flattened background.
Peeking Through the BlindsSeen through the slats of a venetian blind, hard bands of shadow across the frame. Someone is watching and shouldn't be.
Camera on the FloorRest the camera flat on the floor and tilt up. The ground becomes one enormous receding plane and everything standing on it looms.
Inside the FridgeShot from inside the fridge looking out, boxed in by shelves and lit by that one cold interior bulb.
Straight-Down Flat LayCamera dead overhead, everything squared to the frame — the flat-lay that turns a pile of objects into a composed arrangement.
Ant's-Eye ViewDrop the lens two centimetres off the ground and let the world tower — grit and grass blurring past the glass, your subject monumental against the sky.
Half UnderwaterSplit the frame at the waterline: refracted and green below, open air above, the meniscus cutting straight across the lens.
Storyboard SheetA director's storyboard page: one sequence cut into numbered panels with shot titles and captions.
Hero SpinA short studio turn around your product — camera moves, product does not.
In HandA hand holding the product, so its real size is obvious — the listing question everyone asks.
Scene SwapThe same product, somewhere else — one tap per variant for testing ad creative.
Feature CalloutThe listing slide that explains the product: your photo with labelled callouts drawn on top.
Listing ShotA marketplace-ready product shot on a clean background, with the product itself untouched.
- Act It YourselfMotion capture from home: record yourself, and your character performs it — every gesture, beat for beat.